Tuesday, February 12, 2013

Response to Cardiff, Miller and Power of sound


Similarly, I like the process of setting up speakers, subwoofers and stumps in the forest as what “I” feel in the article. Definitely, in the forest, the environment is more intriguing and some suddenly surprising events can happen, like the loud sound almost shudder everyone. Actually, I don’t like the situation “I” tucking earphones and walking back and forth on the station. No surprise, no specialty and nothing interests me. I don’t even know what is the purpose of doing this?
I like each story behind the artwork of Miller and Cardiff, like “The Dark Pool” may be a closely self-portrait of Miller and Cardiff, and this is also a reason why they resist selling it. I am curious about what their mood are when they are creating this artwork? Also, “The Murder of Crows” talks a story about the tough time they have been through and also the time they plan to adopt their infant daughter. One artwork is about them and another one is about their family. They can put their feelings, no matter nervous and sad into the pieces. However, I am confused why themes of their pieces are negative, and I don’t see the happiness neither from descriptions of their artworks or just directly from names of artworks.

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